Here’s the thing. I’ve never seen either of the Miracle on 34th Street films, not the 1947 original nor the 1994 remake. But that didn’t stop me from loving this adaptation, now showing at HOME in Manchester. 

At a time when we could all do with a bit of Christmas cheer, it was a welcome relief to escape into an era when department stores were magical wonderlands and believing in Santa Claus wasn’t just for kids. With its simple premise (can a child restore the world’s faith in Santa?), it’s no surprise that Miracle on 34th Street remains a Christmas stalwart. 

From the off, director Sara Joyce worked her magic on Meredith Willson’s musical stage version, bringing genuinely funny moments and heartwarming touches to this much-loved story. Unlike many festive shows, the stage for the opening scene was surprisingly bare, with just a single wooden door standing centre-stage. I’m a regular HOME attendee, so I was taken aback by the intimate set-up, which drew the audience right into the actors’ world. As the story unfolded, the sounds of car horns and chattering crowds filled the air, transporting everyone to the bustling streets of New York City.

Miracle on 34th Street. Photo by Chris Payne.

Meanwhile, Ciarán Bagnall’s set design was superlative, transforming a derelict toy store into the iconic Macy’s Thanksgiving Day Parade, made all the more impressive in such a small space. But my favourite touch was the innovative use of toys, culminating in a courtroom furnished with building blocks and tiny chairs. 

As the show unfolded, every actor brought their character to life with huge energy. Matthew Hawksley was utterly charming as Fred Gaily, and the charismatic Adam Vaughan was spot on as Kris Kringle, making it easy to believe in his kindness and warmth. But the stand-out performance was from Karis as Susan, who, as the child, holds the fate of Christmas in her hand. 

HOME is one of my favourite Manchester venues, often creating that most precious of things: a connection between performers and the audience. Unfortunately, last night that connection was disrupted by a handful of inconsiderate audience members whose constant chatter (and, at times, inappropriate comments) was fantastically distracting. And it wasn’t just me who noticed, as comments during the interval revealed. When act two began, it was clear that a number of people hadn’t bothered to come back. At a time when many venues struggle to put bums on seats, this was a sad sight.

Nevertheless, if you’re lucky enough to be surrounded by people who actually want to watch the show, Miracle on 34th Street has a wonderful ability to resonate with audiences of all ages. It delivers lots of festive cheer while also offering a touch of something deeper: the unwavering power of belief. 

Like a perfectly-wrapped Christmas present with its promise to delight whoever opens it, HOME’s Miracle on 34th Street is filled with joy, laughter, and a generous sprinkling of magic. 

By James Richardson

Main image by Chris Payne

 

Miracle on 34th Street is at HOME, Manchester until December 31, 2024. For more information, click here